Norse Mythology, and why is it always Loki's fault?
Neil Gaiman masterfully weaves the various myths into a narratives which flows, and makes linear sense, complete with multiple callbacks.
Neil Gaiman masterfully weaves the various myths into a narratives which flows, and makes linear sense, complete with multiple callbacks.
If you love humour, historical fiction, buck-wild plots, the Tudor England or any combination of the above, you should read this book.
The book starts off just as you'd expect - best friends, a bisexual back in the closet, and some questionable insta-love.
Buckle up. We're diving in head first into spoilers, and my scathing disappointment with how Maureen Johnson wrapped up her series.
The story is your standard romantic comedy, from the meek heroine who does something super out of character to the brooding love interest.
Our Stop presents a different take on romance. The novel mixes in modern references with the timeless magic of a 'meant to be' romance.
You'll need a couple of chapters to settle into this strange universe, what with the main character starting off as a frog.
I enjoyed learning more about the world and the characters, but the book on the whole felt like a filler novel.
This book has got everything. It has gays, lesbians, bisexuals, cultists, demons, scenic European cities.
This story contains in-depth references to anxiety, depression and suicide, as well as major instances of gaslighting and toxic masculinity.
There's something to be said about the magic of a prequel - we get a glimpse of the past, where heroes and villains are shaping the world.
Talli Roland chose her main theme well. It's both refreshing and heart-warming to focus on the importance of family.